new works
directing
Skeleton crew, by dominique morisseau. black ensemble theatre/black theatre network, 2016: chicago, il. (regional premiere; staged reading)
40 Acres and a p.o.w., by woody eney. sycamore rouge, 2009: petersburg, va. (world premiere)
drinking games: Undertow, by clay mcleod chapman. yellow house productions, 2002: richmond, va. (world premiere)
under pressure; loops of life; so it goes; sister to sister; memory train; PS can i call you spring?; the really big important test; Inspiration, come easy; papers of truth; death comes for harry; and offing the dog. New Voices for the theatre: 2000-2011: richmond, va (staged readings, competition-winning plays, world premieres)
dramaturgy
The Ugly duckling, by jacob currence; ruth humphrey and jacob currence, co-directors: davis & elkins college
40 acres and a p.o.w. woody eney, playwright; kb saine, director: sycamore rouge
lee's miserables. clay chapman, playwright; christopher shorr, director: sycamore rouge
matoaka. matthew shifflett, , playwright; christopher shorr, director: sycamore rouge
the death of A&B (collaborative playwriting) justin dray, director; yellow house productions
producing
at davis & elkins college: elkins, wv
The making, written & performed by matthew olwell; emily oleson/kb saine, directors: 2017.
The Ugly duckling, by jacob currence; ruth humphrey and jacob currence, co-directors. 2017
a budding friendship, by jenny armstrong; joshua thompson, director: 2016
anansi's tale, by corey roberts; michael good, director: 2014
at sycamore rouge: petersburg, va
reflections of a black cowboy, written & directed by margaret joyner: 2013
concord, virginia, written & performed by peter neofotis: 2010
james dean: crossing the finish line, written & directed by bill brock: 2010
how i got over, written & directed by fred motley: 2010
read*y for right, written & directed by kb saine: 2008
*through the six blocks series and five independent "24-hour theatre experiences," over 30 new works were produced at sycamore rouge, using minimal tech & only six acting cubes as representational scenery.*